Phogropathy http://www.phogropathy.com Look, Relax, Remember Thu, 25 Jun 2015 19:28:30 +0000 en-US hourly 1 http://wordpress.org/?v=4.2.2 Hiking Mount Tripyramid http://www.phogropathy.com/hiking-mount-tripyramid/ http://www.phogropathy.com/hiking-mount-tripyramid/#respond Tue, 16 Jun 2015 14:00:00 +0000 http://www.phogropathy.com/?p=25410 […]

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Every year for the last four years my sister and I have ventured up to the mountains of New Hampshire for a day hike. After accomplishing Mount Monadnock twice (here and here) we then decided to start on a more adventurous goal of hiking the 48 4,000 footers of New Hampshire and summited Osceola last August. Mount Tripyramid makes our second and third check marks on this list and let me tell you we were in a bit over our heads this time. (Note: the third summit of the Tripyramids doesn’t count towards the 48 as the altitude gain between peaks is not significant enough).

Hiking Mount Tripyramid

Hiking Mount Tripyramid

Hiking Mount Tripyramid is not exactly something that I’d recommend to someone who is just getting started at conquering the NH 48 4,000 footers, and I probably wouldn’t recommend it to someone who simply wants to hike a mountain. It’s not only that it’s a difficult hike, but also, there’s just not much to see at the summit, making all the effort feel a bit disappointing.

These two photographs were both taken from the summit of Mid Tripyramid which is the only peak of the three that has any view whatsoever, but it’s limited at best, with only a few areas to peak through the tree line for photography.

Hiking Mount Tripyramid

Now, hiking Mount Tripyramid is not exactly an easy task and that’s why I say that this mountain (or set of mountains) really isn’t worth it unless you have the desire to check the boxes on this list. The hike itself starts easy enough along a wide dirt road, but quickly becomes much less forgiving.

About four miles into the 11 mile loop (which MapMyRun actually put at 13.5 miles) the real hiking starts as you begin to ascend what’s referred to as the “North Slide”. This landslide was formed back in the late 1800’s when heavy rain caused the earth to give way on the side of North Tripyramid and as a result this landslide is now the most direct route to the summit of the mountain.

The North Slide on Mount Tripyramid

Here are a few photographs that I took with my iPhone as we began the track up the slide. As you can see it’s essentially just boulders upon boulders at about 40-50% grades for about a mile.

the trail-2The Start of the Slide ( It doesn’t Look too Bad)

the trail-3Okay it’s getting a bit steeper now…

the trail-6This was the last photo I took of the Slide (still less than 1/2 way to the top and it gets much worse!)

As you get further up the slide it becomes even more exposed and there are a few dicey spots where you’re scrambling up slabs or letting go of hand holds to grab on to the next. All told the North Slide ascends approximately 1300 vertical feet in less than a mile – not for the faint of heart!

After the North Slide the trek to the three summits is actually quite easy in comparison as all three peaks are fairly close to one another and the altitude difference between them is not all that drastic.

Once you’ve crested over the top of the South Peak you’ll start heading back down the mountain and yes, there’s another slide to contend with – aptly named “The South Slide”.

The South Slide on Mount Tripyramid

The route is recommend in this direction as the south slide is much less steep (30-40% grades) and more broken up so you’re not having to descend rock slabs without hand holds, but rather, can snake your way through the loose rocks and sand.

My favorite photograph from the day was this seven frame panoramic photograph that captures the south slide and the mountain in the distance. And for what it’s worth – the views from the slides do make up for the lack of views on the summits – but if you’re too focused on completing the task at hand or too terrified to look you’ll end up missing them.

Hiking Mount Tripyramid - The South Slide

All said and done the hike took us over seven and half hours to complete, it ended up being 13.5 miles according to “MapMyRun” and according to my FitBit I took nearly 27,000 steps!

While the photographs weren’t exactly spectacular, mainly due to the simple fact that I lost motivation to take photographs and simply wanted to finish the hike, I’m still happy I was able to get something to share with you. I do hope you enjoyed the story and I’d love to hear about your most memorable hike in the comments – or maybe you’ve hiked Mount Trypyramid or some of the other 48 4,000 footers in New Hampshire – I’d love to hear that story too!

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Wide Angle Photography http://www.phogropathy.com/wide-angle-photography/ http://www.phogropathy.com/wide-angle-photography/#comments Sat, 13 Jun 2015 14:00:00 +0000 http://www.phogropathy.com/?p=25384 […]

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Wide angle photography is the bread and butter of the landscape photographer – if you don’t own a wide angle lens you’re missing out!

wide-angle-photography

As usual we’ll take a look at a few photographs that successfully demonstrate how to photograph using a wide angle lens and then we’ll move onto some more specific tips focused on improving your wide angle photography.

Examples of wide angle photography

Wide angle lenses, as I mentioned, are often the go to lens of the landscape photographer. They allow you to showcase a scene in a way that the human eye just isn’t able to do. In this photograph of Excelsior Glen Falls by Shobeir Ansari you’ll see exactly how a wide angle lens can create a perspective that simply takes you into the scene.

By having a strong foreground of fallen leaves and the leading lines of the river and the cavern walls this photograph goes from interesting to more interesting as you are brought through the photograph. By taking the shot from a low angle you as the viewer are placed within the perfect location of the scene to draw you into it and allow you to get lost.

Excelsior Glen Falls, Finger Lakes.

Of course wide angle photography is not just for landscapes so our next examples takes us to the urban photography world with this photograph of the Boston skyline by photographer Daniel Parks.

What makes this image such a strong wide angle photograph was the choice of the photographer to include the chain link railing  in the foreground. By including this strong foreground piece the image becomes a more complete photograph and one that takes you from the foreground towards the city lights.

Dark and Stormy Night

The third and final example today is from Sharada Prasad CS and is a great example of how you can use wide angle photography to showcase things and objects within your frame.

This photograph has everything you’d want in a wide angle photograph – great depth throughout the frame from the prominent foreground subjects to the middle ground of the open water, to the background of the mountain range. It even incorporates one of our previous themes of using repeating patterns in photography to add emphasis or drama.

Boats in Pokhara

Key elements of wide angle photography

When you’re using a wide angle lens there are a few key elements that you’ll want to keep in mind as you compose your photographs. These three tips are probably the most important guidelines to follow if you’re looking to really set up a dramatic wide angle photograph.

  • Depth – Wide angle lenses have a very large depth of field, even at their largest openings, and as a result it becomes important that whatever you photograph with a wide angle lens has depth. Try to find subjects with strong foreground, mid ground and background elements that support one another within the frame of the image.
  • Perspective – Wide angle lenses offer a view that is very different than what we see every day. As a result of this wider angle of view the perspective of the photograph is extremely important and will help you tell your story.
  • Get closer – One of the most common mistakes people make when photographing with a wide angle lens is that they fail to get close enough to their subject. As mentioned above, both the depth of the photograph and the perpsective of the subject are important and by getting closer you’re able to increase your depth of the scene and change the perspective.

A bonus tip – check the edges!

Wide angle lenses often have such a wide angle of view that when you’re looking through the viewfinder of your camera the edges of the frame escape your attention. Don’t let this happen as little pieces of litter, or random tree branches, feet from bystanders, or any number other distractions can creep into the side of your image ruining an otherwise perfect photograph. So make sure to check the edges!

Share your own wide angle photograph

As always, head on over to the forum, and share your own wide angle photograph. Be sure to tell us a bit about how you framed the shot and what your intentions where as this helps us know where you’re coming from and believe it or not, explaining a photograph in this manner will help you learn more about your own intentions as a photographer.

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Anchored http://www.phogropathy.com/anchored/ http://www.phogropathy.com/anchored/#comments Tue, 09 Jun 2015 14:00:00 +0000 http://www.phogropathy.com/?p=25218 […]

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If you haven’t caught on by now, starting last month, I’ve been testing a new content strategy here at Phogropathy. Tuesdays I share a photograph from my collection and a bit of a story of how I captured/process the image and Fridays consist of an article on a specific theme/topic in photography. So far I think it’s been going over quite well and I’m excited to continue this format throughout the rest of the summer to see how it evolves.

Anchored

Anchored

A few recent forum topics from Don and Dolores had spurred my interest in diving back into the idea of creating art from my photographs. Instead of using Impression, I actually dove into Topaz’s other art maker, Simplify and created this image of an anchored boat off one of the harbors along the coast of Cape Cod.

It was taken during the middle of the day so the light wasn’t extraordinarily good, but I do find the result interesting. As you can see there was quite a bit of snow on the ground and do to the rather cold winter we’d been experiencing part of the harbor was frozen with chunks of ice.

I hope to have some photographs from the trip up to the top of the Tripyramids tomorrow – this 11-mile loop hike summits two of NH’s 4,000 footers and a third peak, which is over 4,000 ft high, but doesn’t qualify as the altitude gain between peaks isn’t great enough.

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Using Negative Space in Photography http://www.phogropathy.com/using-negative-space-in-photography/ http://www.phogropathy.com/using-negative-space-in-photography/#comments Sat, 06 Jun 2015 15:15:00 +0000 http://www.phogropathy.com/?p=25215 […]

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Using negative space in photography is a technique that can add a great deal of drama, intensity or even emotion to your subject – but you must use it properly in order to achieve these results.

using-negative-space

While not an overly difficult concept to grasp, negative space, can be a bit tricky to implement in successful ways. The problem with using negative space in photography is that if forced it can lead to boring or confusing subject matter which inevitably will hurt the overall story you may be trying to tell.

In this article you’ll see some examples of negative space being used successfully and get some practical and useful tips on how to pull this technique off yourself the next time you’re out with the camera. Let’s get started!

Three successful images using negative space in photography

First, what exactly is negative space? Well technically it is anything that is not your primary subject matter in a photograph – so you can think of negative space as the space that fills the area between the border of your photograph and the subject you’ve attempted to capture.

When using negative space as a feature of your photograph, what you end up with is a composition that is extremely simplified, and this can be referred to as a minimalist style of photography. Take a look at this example titled Dawn Sculler by Ian Sanderson

Dawn Sculler

 

The kayaker in this photograph creates a strong focal point for the eyes to be drawn to, there’s a clear path of where he’s been and enough negative space within the rest of the frame to allow the eyes a place to rest and ultimately be drawn back to the kayaker. By photographing the scene in such a way the image becomes very simple and yet, still conveys a message.

Another example of simplicity is this photograph titled Lonely Phone by Sarah Laval. Here the viewer is show just a lonely phone on a wall with a strong vingette to draw us even further into to the image. The phone is slightly off center leading to an interesting, and thought provoking subject.

Lonely Phone

The final example from Bryon Lippincott titled Waiting for Traffic is a great example of how you don’t need an image to be completely devoid of other elements within the frame. Here we see a combination of straight lines and curved lines that all lead us towards the subject, or help to frame the scene. There’s enough negative space to allow you to get a sense of the scene, but still is simplified enough strengthen the main subject of the photograph.

Waiting for Traffic,

Strategies for using negative space in photography

As you’ve seen from the examples above, using negative space in photography relies on a strong and engaging subject (the positive space) complimented by a pleasing and supportive background (the negative space).

You don’t necessarily have to go full fledged minimal with a photograph on this theme, and in fact, every photograph you take will have negative space within it – it’s simply just a matter of how much that negative space is emphasized within the image as to whether or not it becomes a significant part of the story or not.

So when you’re composing your next photograph and you’re trying to emphasize the negative space of the scene remember these three things:

  1. Make sure you’ve got a strong, compelling subject
  2. Make sure everything other than your subject within the frame does not compete for attention
  3. Use the scene to frame and guide the viewer’s eyes either towards the subject, or towards a question about the subject’s motivation.

And with that all you’ve got to do now is find a subject. If you’re interested in showing us what you’ve been able to accomplish on the subject feel free to share it on the forum.

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Cumberland Farms http://www.phogropathy.com/cumberland-farms/ http://www.phogropathy.com/cumberland-farms/#comments Tue, 02 Jun 2015 11:00:00 +0000 http://www.phogropathy.com/?p=25214 […]

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It’s hard to believe we’re starting the sixth month of 2015 – a lot has changed here on Phogropathy since this past winter and I’m liking the new direction. I have been feeling a bit under the weather over last last few days or so, but I’m feeling like the I’ll be back to 100% soon.

Cumberland Farms

cumberlandfarms

A few weeks ago I went to a Red Sox game and while I was bored watching the home team go down 4-1 by the second inning I started looking for photography opportunities.

Because I was traveling light I just had my iPhone 5s and my collection of Olloclips. This image was taken with the Telephoto Olloclip and I thought the full moon as well as the Cumberland Farms sign made for an interesting composition.

Due to the poor quality from the iPhone camera I decided to go with a desaturated black and white image slightly toned towards the sepia look.

I processed the image in Photoshop using a curves adjustment layer to add contrast and a black and white layer to desaturate the image and tone the various colors (you’ll notice how brightly lit the sign itself is – this was done inside the black and white layer).

Overall – it’s a simple image – but one that I like quite a bit.

Hope you’re having a great week – as always – share your own photography in the forum always love to see what you’re up to!

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Capture Motion in Photography http://www.phogropathy.com/capture-motion-in-photography/ http://www.phogropathy.com/capture-motion-in-photography/#comments Fri, 29 May 2015 14:00:00 +0000 http://www.phogropathy.com/?p=25147 […]

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You might think about a photograph as a moment frozen in time and maybe you might think that because a moment has frozen in time you can’t do a lot to portray moving things within the frame of a photograph. Well – today we’ll learn how to capture motion in photography!

motion

As usual let us start with some examples from Flickr to set up the concepts and ideas, and then move into a few tips to capturing images like the ones seen here today.

Inspiring Photographs that Capture Motion in Photography

As I mentioned, there are many ways to capture and portray motion within an photograph. These three examples will try to give you some ideas as you pursue your own attempts at capturing motion in photography.

The first example, is somewhat of a common idea on the subject, and that is capturing a person standing still as a train or car passes by in the background. In this image titled, “On the platform…reading” by Mo Riza, captures a woman waiting for a train to come to a complete stop. Engrossed in a book and alone on the platform this photograph has a bit of a story to it – heading home from a long day of work and taking every possible moment for “me time” perhaps?

On the platform, reading

 

The photograph succeeds in a couple ways – first the dramatic lighting that helps to bring you into the frame. The simplicity of the subject matter – woman and train with no other complications. The added color from what appears to be the train’s logo adds a bit of extra motion to the image. While not overly sharp, or complex, this shot works just as well.

Of course, being in the big city isn’t always possible so it’s a great thing that you can also find motion in nature. Water is probably going to be your go to here – waterfalls, rivers, oceans, even runoff of a downpour all produce motion and there are a number of other ideas out there as well.

Coldwater Creek

This example photograph from Billy Wilson titled Coldwater Creek is one of many possible ways of portraying motion in nature. The water flowing towards the viewer, with the remainder of the image tack sharp allows for a the viewer to be drawn into the frame and enjoy the image.

Of course, you can also get creative and create your own motion. Of course, this is going to be most likely reserved for those occasions where you’re attempting to create something a bit more abstract, but if you can make it work, then why not go for it?

This example, Forest on Fire – Trees in Motion taken by Vincent Brassinne is a great example of just that. The intentional blur from moving the camera during a long exposure shot creates the abstract nature of the image, the vertical lines of the trees actually references back to our previous challenge on patterns, and the highly saturated colors work well to create interest as well.

Forest on Fire - Trees in Motion 1 [Explored]

 

Of course, these are only a few examples of how you can capture motion in photography – there are countless other ideas as well – including: light trails, star trails, ghosts of people moving about, cars, airplanes and more!

Three Helpful Tips for Capturing Motion in Photography

  1. Careful with the shutter speed – In most cases you’ll want to have a longish exposure to allow enough time for the motion to take place.
  2. Panning – Panning is a great skill to learn and one we’ll be covering in a future theme here on Phogropathy. Essentially this involves locking in on a moving subject and panning your camera with while you photograph the shot. What occurs in the end result is a frozen image of your moving subject and a blurred background which then highlights the movement.
  3. Visualize – The more you can visualize the motion that is happening in front of you, the better you’ll be able to capture and portray that motion in your photography.

Share your own

Finally go out and capture some photographs in motion – then come back here and share what you’ve created. Tell us how you went about capturing the shot, and what tools you used to accomplish the end result.

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Baby Doves http://www.phogropathy.com/baby-doves/ http://www.phogropathy.com/baby-doves/#comments Tue, 26 May 2015 11:29:20 +0000 http://www.phogropathy.com/?p=25283 […]

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I wanted to let you all know that I’ve started getting back into the swing of things and have two articles queued up for DPS already in June. I’m also working on my second batch of Lightroom Presets and so much more is in the works as well – but I’m taking things slow so I don’t want to say anything specific yet.

Baby Doves

As you might know if you follow the site regularly I’ve been lucky enough to have a couple of Mourning Doves choose one of my window boxes as a nesting place to raise their young. It’s been a fun experience watching them grow, get fed, and then finally leave the nest. The following is a collection of photographs that I was able to capture.

Birdbabies-6Birdbabies-5Birdbabies-4

While it was sad to see them go, the good news is, the mother is back on top of another pair of eggs already so it looks like the cycle will continue at least for one more round! I’ve read that Mourning Doves can reuse the same nest up to five times in a season so we’ll see maybe I’ll get very good at photographing baby birds by the end of this summer.

Hope you’re having a good good week of photography – be sure to share your own shots on the forum so that we can see what you’ve taken!

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Composing The Theme of Three http://www.phogropathy.com/composing-the-theme-of-three/ http://www.phogropathy.com/composing-the-theme-of-three/#comments Fri, 22 May 2015 14:00:00 +0000 http://www.phogropathy.com/?p=25213 […]

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Three is a powerful number – it appears quite often in mythology and even in nature. But did you know it’s also a key component in composing photographs?

This week we’ll talk a deeper look at using the this powerful number as a theme to influence your photography.

three

Some inspiration using the theme of three

As usual, let’s start with a few examples from Flickr and figure out why they work so well at illustrating the theme of three.

First up is a photograph by Anjan Chatterjee titled Fishers Three – and as you can see clearly the theme of three is evident in the photograph.

fishers three

The three subjects are well composed to balance the scene, there’s a nice contrast of the human element and nature with a common element tying them all together – namely they fishing.

The processing to black and white was a nice touch, however, a stronger composition would have been to move the horizon line above the heads of the two men as it’s typically not a good idea to have a hard line like this running through the main subjects of your image.

Next up is a great photograph that also illustrates last week’s theme of patterns quite nicely – it’s from photographer Robin Jaffray and is titled Three Boats.

three boats

Again, much like the first image this photograph does a great job of isolating the primary subject matter to tell the story. Additionally there’s an interesting element here where the boats get larger as they go from bottom to top and having one of the three boats facing in the other direction adds a bit of disorganization that feels more natural and I think adds a bit of interest.

Finally here’s a photograph by fs999 titled threes

Threes

It’s probably one of the most common ways that you’ll see the theme of three portrayed and that is in nature itself. Here we see a great use of simplicity to really draw you into the subject of these three trees. The post production to blow out the sky in the background and truly brighten the image was a smart choice as it forces the viewer to really focus on the three trees – you simply can’t help being drawn to them.

Some tips composing the theme of three

While we do have ‘the rule of thirds’ three itself isn’t a true rule of composition, but as you can see from these images, using three similar or contrasting subjects in your photograph can help make it more interesting.

The key to this concept of using three subjects, as we’ve seen in these three examples, is to make sure that you’ve got a strong message to portray. The three subjects must be obvious within the image and everything else should be insignificant – the idea here is to only show what’s necessary.

Again, as we’ve seen here, incorporating last week’s theme of patterns will help you find interesting ways of composing the image.

Share your own

As always I love to see what you’re able to come up with on these themes so share your own photographs of three things on the forum today!

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Snowy Beach http://www.phogropathy.com/snowy-beach/ http://www.phogropathy.com/snowy-beach/#comments Tue, 19 May 2015 11:00:00 +0000 http://www.phogropathy.com/?p=25144 […]

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Another week, another photograph – but first some news! Topaz Simplify (Read: Simplifying a Favorite) is on sale again! If you missed it last time now’s as good a time as any – just use the code MAYSIMP on checkout – get it here.

Also in other news – the site has successfully be upgraded to a new server and is running faster and smoother than it ever has. Of course, there have been a couple of little hiccups, but overall things are great – if you do notice something let me know and I’ll be sure to either fix it myself or inform someone who can.

Snowy Beach on Cape Cod

Snowy Beach

Here’s another photograph from my trip to Cape Cod this past winter. As you can see there was still plenty of snow on the ground. I went for a cold black and white look with this image as I felt it suited the overall mood of the weather.

The image was taken on a tripod at 16mm, f/9.0, ISO 100, 1/50th. This was on our way back to the Jeep (you can see the dark clouds approaching here from the right side of the frame – which were the same dark clouds in that photograph.

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Find and Photograph Patterns in Nature Like A Pro http://www.phogropathy.com/photograph-patterns-in-nature/ http://www.phogropathy.com/photograph-patterns-in-nature/#comments Fri, 15 May 2015 14:00:00 +0000 http://www.phogropathy.com/?p=25146 […]

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Why do patterns in nature make such compelling subjects?

photograph-patterns-in-nature

Learning to photograph patterns in nature is one of the most powerful ways to add drama and substance to a photograph. Once you understand how patterns work to improve composition and where to find them you’ll wonder how you ever created images without them.

What makes patterns important in composition?

Patterns in nature are everywhere! This, unfortunately, may make photographing them a bit more difficult than you might initially expect. One of the most difficult things to do in photography is to take something so simple as a pattern and turn it into an amazing, interesting piece of art, but that’s what this article aims to teach you how to do.

Learning to photograph patterns in nature, goes beyond simply creating abstract pieces of art, by finding the right way to add a pattern to an every day scene you can truly capture a masterpiece. Of course, the first step in this process is actually finding and photographing patterns, so let’s get started with some basics.

Where do you find patterns in nature?

As mentioned above, patterns in nature are everywhere! So finding them isn’t necessarily a problem. What becomes the problem is finding the right patterns and then photographing them the right way to make them shine within the confines of a frame.

Key tip: When framing a subject (any subject) ask yourself ‘What needs to be in the frame and what should I remove?’ and frame according.

To get a better idea of what is meant by this let’s take a look at three examples of patterns in nature from Flickr.

This image by Eric Wüstenhagen is a great example of how you can create an interesting, almost abstract image, by just photographing a repeating pattern. However, you can’t just photograph this plant any old way, the reason that this image works so well, is because of two choices that the photographer made.

  • Isolation of a focal point – Where the rotation of this pattern comes to a point is the focal point of this image. The fact that that part of the image is tack sharp, while the rest of the image is blurred with a shallow depth of field, is what allows this isolation to occur.
  • Balanced composition – By placing the focal point mentioned above on the lower left side of the frame the rotation leads us to that focal point and keeps the eye there. Had this been placed on the right side of the frame the image would have appeared more cluttered and confined.

patterns in nature

But patterns in nature don’t have to be so obvious, take a look at this next image from james j8246 who captured a foggy mountain range.

patterns in nature

Here you get the repeating shapes of the various peaks, isolation of the subject by ignoring the horizon, and a nice compression of the features by the choice to use a telephoto lens to capture the image. Add the black and white treatment in post production and the image really comes together.

The final example for this week’s theme on patterns in nature not only shows you how easy it is to find great patters to photograph, but ties this theme together with last week’s theme on panoramic photography.

In this image from Sacha Fernandez the trees repeat and repeat as they fade away back into the fog. It may not be what you first think of when you think of finding patterns in nature, but the repeating element of these trees allows the viewer to really get lost in the scene.

patterns in nature

Again, much like the other two photographs featured in this article, it’s the photographer’s choices that make the image interesting – not the pattern itself. In this example, the trees provide an interesting pattern that the viewer can follow into the scene, the compositional choice to go panoramic with the image allows for a more simplified and pleasing result, and finally by choosing to photograph while the scene was blanketed in fog and lit with a soft golden light completes the dramatic scene.

3 key tips for composing patterns in nature

Here are three tips for photographing patterns in nature that you can take away from the three images above.

  1. Isolate a primary focal point – As we saw, it’s not always necessary to have a primary focal point, but when you do have one, make sure it is isolated and dominates the photograph.
  2. Telephoto lenses often work best – While wide angle lenses are often a lot of fun to use, in my experience, patterns look much better when they’ve been shot on the telephoto end of the shooting range. This compresses the features of the pattern and enhances their imagery.
  3. Don’t just photograph a pattern – Don’t photograph a pattern for the sake of photographing a pattern. Find a way to make that pattern tell a story by including it in a dramatic scene, or isolating it to demand attention and focus.

Share your own patterns in nature photograph

As always, I love seeing what you’re able to come up with on the themes that I cover here. So please feel free to join the discussion on the forum and leave your own photograph below!

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